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Posts Tagged ‘quicktime’

Editing at the consumer and pro-sumer level

Sunday, June 1st, 2008

Following is an actual email thread from one of our contacts who is mac-based.

Dear Kirk at BetaSPtoDVDcom,

Does final cut pro or final cut studio output to flash format for the web?

I have a client who wants a promo video to do double duty--display on the
web AND to play on DVD at trade shows and such.

But since I have yet to get the software, I thought you may know--maybe even
point me to pro vs. studio--vice versa--or even another video editing
solution.

I'm simply not happy with the image quality of iMovie.  I'm guessing the
slicker programs will produce TV-quality images.

Also, is it possible to grab footage from DVD movies and use them in Final
Cut?  Y'know--grab some war footage from Saving Private Ryan, or something?
Or a full moon shot from a Werewolf movie?

S'all fer now.  Enjoy the rest of the weekend.

Joe

___________

Hi Joe,
First of all, iMovie is TOTALLY broadcast quality. If you are not 
getting great quality, then you either have low resolution source 
footage, have an old version of iMovie, or have are using some incorrect 
settings. In fact, iMovie even supports HD!!! So I wouldn't spend the 
money for Final Cut solely based on the broadcast quality issue.

Final Cut can make .FLC files, but it is not great at it and the files 
are usually bigger than they should be. For making Flash files, I sometimes use a 
program called Sorensen Squeeze and it works pretty well.

As for ripping footage from a copy protected DVD, you are going to need 
a DEMUXING program. Then you are going to need 
a DVD ripping program like Cinamatize. 
Cinematize is a great tool and we use it all the time. It can rip any DVD that is 
not copy protected. If the DVD is copy protected, then you have to start 
with the aforementioned demuxing application.

The other way is to do it analog style. Just patch cables from the dvd 
player though a professional video deck or TBC (timebase corrector). 
Those will strip off the copy protection in real time.

One word of caution though... we do not advocate using any copy-protected material unless you are legally allowed to do so!!

On the issue of Final Cut Studio vs. Final Cut Express, I would go Final 
Cut Express.  The Final Cut Studio has tons of stuff you will never use 
like heavy-duty motion graphics and pro sound editing. The learning curve 
on those tools is huge.

Anyway,  hope I helped a little.

Kirk

Size Matters! How to create a small Quicktime for pushing across the web

Friday, March 14th, 2008

There are so many codecs for digital movies out there that is becomes really confusing when you are trying to make a small file to place on Youtube, an ftp site or to email to everyone in your address book.  By the way, a codec is the formula used to compress and decompress a digital movie.  For example, you can compress your video clip using H263, H264, Animation, Sorensen, Cinepak, Animated GIF, DV, DV  Stream, MPEG-4, MPEG-2, M4V, FLC, SWF, and on and on.

 

You could literally test and play with settings and parameters for days and you will eventually drive yourself crazy trying to get the perfect file that is small enough to email but vivid and snappy enough to get you the recognition and accolades you deserve.

 

Here’s a fool proof, easy way to do it…

 

Buy Apple’s Quicktime Pro application for  around $40 bucks. Then open your big, uncompressed monster of a movie file, then say “EXPORT” in Quicktime Pro and choose “FOR iPOD.”

 

That’s it. Your file will be tiny and look amazing. Even though you ended up with merely an .M4V file that you could have done that yourself, you would never be able to compete with the genius eggheads at Apple who have spent hundreds of hours in R&D to have the perfect codec settings!

 

This is also a great file to upload to YouTube. Their upload robot LOVES this file. However, if you want to make it absolutely perfect for YouTube, you should create your original big file at 400×300 pixels, because otherwise YouTube will scale your file and cause it to lose some resolution. I understand that 400×300 is a non-standard aspect ration in computer land, but that’s what YouTube is, so you might as well create your original file that size. Be sure to make the file with those dimensions PRIOR to crunching down with the “EXPORT TO iPOD.”

 

-Kirk

AAKK!!! The large mac files on my hard drive don’t show up on a PC!

Wednesday, February 13th, 2008

Yeah, this is something that comes up once in a while with us. Producers or editors send us a hard drive to which we are to transfer their master videotapes as Quicktime movies.

But when we ship back the drive with the new Quicktimes (.MOV files), they can’t open it on their PC. Then the dialogue goes like this:

 

____

BETASP TO DVD.COM

But you told us you wanted to use the files on a mac for Final Cut Pro?

 

PRODUCER

Right, but we also need the files to work on a PC so our client can use them.

 

BETASP TO DVD.COM

Oh, in that case… You’re screwed sucka! Just kiddin’ ya. Let’s say you have a 25 GB file that you want to put on a hard drive for cross-platform viewing.  There is no easy and free way to do that unless you by software called MacDrive to install on your PC.

 

PRODUCER

But…. But… But…

 

BETASP TO DVD.COM

No buts. Let me break it down for you:

Hard drives need to be formatted as either Mac OS Extended, FAT32, or NTFS.

OS Extended holds unlimited file sizes on Mac, so that’s cool if you want to use the files on an Apple machine.

FAT32 works on both platforms perfectly. But guess what? FAT32 has a file size limit of 4 GBs!  Jeeze. That’s not even big enough to hold an hour of video. Ridiculous!! Further more, FAT32 has a maximum partition size of 32 GBs.

 

PRODUCER

What??!! Are you kidding me?!

 

BETASP TO DVD.COM

Yeah, that’s pretty damn lame, considering your iPod can hold more than that! 32 GBs is so 1994!

NTFS formatted discs, on the other hand, are capable of holding terabytes of info in one folder. But watch out, that format only works for PCs.

 

PRODUCER

So what am I supposed to do with big files that need to play on both PC and MAC?

 

BETASP TO DVD.COM

Okay. Here are the solutions to choose from:]

1)    Break your files into small junks of only 4 GBs or less and use the FAT32 format.

OR

2) Buy software such as MacDrive for your PC

OR

3) Transfer your large files onto one disc formatted with MAC OS Extended, and another disc formatted with NTFS.

OR

4) Scrap the whole idea and go surfing here.

 

– Kirk

WHY DOES MY YOUTUBE VIDEO LOOK LIKE DOG MEAT?

Thursday, February 7th, 2008

Okay, so you spend three months onlining and color correcting your film. It looks stunning and projects like a Technicolor masterpiece.  Excited to show your friends and reach a wider audience, you decide to stick the project or its trailer on Youtube. And of course, it instantly looks like dog meat: blocky, faded, desaturated and worst of all, it actually skips frames and looks out of sync. Dang it! 

 

So you in the Youtube film requirements. But when you upload it again, it still looks barfy.

 

And it will always look barfy because Youtube RECOMPRESSES every single film using very loose setting for Flash video. It needs to make it look cruddy because they need small files that take up small bandwidth since so many people upload shots of their cat looking out the window.

 

Bottom line: If your content ROCKS, then it will be giant on Youtube. If your content is dependent on pristine color correction and the ideal image, then I’m afraid your film is going to look like dog meat and nothing more.

 

Shoot for content and story and the world is your oyster.

 

– kirk

How to ruin your career and embarrass yourself in half a second flat!

Wednesday, January 2nd, 2008

Here’s something we encounter all the time, a major client with an insane deadline sends us a precious file of their motion picture to be laid off to BetaSP or Digibeta for use in a critical film festival screening where the audience includes top studio scouts and distributors.

At the screening, the lights dim, the projector fires up, and the film hits the silver screen with all its glory and charm. The distribution execs are cracking up at every joke and displaying the perfect body posture for the dramatic parts. The screening is going to be a hit… until… OH MY GOD! THERE’S SCRATCH DIALOGUE COMING FROM THE CHARACTERS’ MOUTHS! AND, WHERE DID THE MUSIC GO IN THAT SCENE? AAAAAK! A TEMP TITLE CARD THAT SAYS “SCENE MISSING”!

Poooof. There goes the distribution deal. There goes my life!! Anyone need a bartender out there?

But how could this have happened? The file was proofed and re-proofed and watched by several people. The film was perfect back in the online bay. And the file that was transferred for the screening was called “LOST IN PARADISE NEW FINAL VERSION REVISED”.

And therein lies the problem: The file name. The wrong file was used to make the transfer.

This is a dramatic illustration of the consequences of naming files without the use of a clear emnaming convention.

I don’t understand why so many actual professionals name there files things like:

My_Film_New_Master.mov
My_Film_New_New_Master.mov
My_Film_New_New_Final_Master.mov
My_Film_New_New_Final_Master_for_Sundance.mov
My_Film_New_New_Final_Master_for_Sundance2.mov
My_Film_New_New_Final_Master_for_Sundance2_Revised.mov
My_Film_New_New_Final_Master_for_Sundance2_Revised2.mov
My_Film_New_New_Final_Master_for_Sundance2_Corrected.mov
My_Film_New_New_Final_Master_for_Sundance2_Corrected_Final.mov

Now when there are a bunch of discs floating around the office with various versions of these “FINAL” masters, it is really easy to see how things could go terribly wrong at the dub house when the incorrect file shows up for transfer.

For that matter, with everyone working from servers and hard drives all over the world, it’s super easy to see that a mis-named file in a folder could be mistaken for the correct one. In fact, people accidentally delete critical files all the time on their very own computer for this exact same reason.

So the trick is, ALWAYS NAME EVERY SINGLE FILE WITH A VALID NAME. Here are some excellent ideas to include in your name:

1) The date the file was made. THIS IS ABSOLUTELY CRITICAL! If there is no other info in the file name, you must use a DATE. With the real date in the file name, it is almost impossible to grab the wrong one since an actual date is so easily cross-referenced by invoices, production schedules, and other records of processes. Also, make the date read in reverse European-style syntax: YEAR/MONTH/DAY/TIME (military). That way, the date will always sort in perfect order and it will be crystal clear which file is the latest one.

Example: 2008_12_31_1325

2) The project name or abbreviation. “Lost in Paradise” becomes ”LIP”.

3) The status of the project, such as “RuffCut_No_Music” or “ColorCorrected_Master”

So your wonderful new, final, final, really truly master corrected revised file will end up looking like this:

2008_12_31_1325_LIP_FOR_SLAMDANCE.mov

Ain’t it a a beautiful thing? And if that file name is too long for a given purpose, you can still get by with:

2008_12_31_LIP.mov

God, that’s clean. MMMMMmmm. It’s delicious to behold and to archive. Oh, and by the way, you will be able to actually keep your job if you name files like this.

Kirk