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Posts Tagged ‘transfers’

Editing at the consumer and pro-sumer level

Sunday, June 1st, 2008

Following is an actual email thread from one of our contacts who is mac-based.

Dear Kirk at BetaSPtoDVDcom,

Does final cut pro or final cut studio output to flash format for the web?

I have a client who wants a promo video to do double duty--display on the
web AND to play on DVD at trade shows and such.

But since I have yet to get the software, I thought you may know--maybe even
point me to pro vs. studio--vice versa--or even another video editing
solution.

I'm simply not happy with the image quality of iMovie.  I'm guessing the
slicker programs will produce TV-quality images.

Also, is it possible to grab footage from DVD movies and use them in Final
Cut?  Y'know--grab some war footage from Saving Private Ryan, or something?
Or a full moon shot from a Werewolf movie?

S'all fer now.  Enjoy the rest of the weekend.

Joe

___________

Hi Joe,
First of all, iMovie is TOTALLY broadcast quality. If you are not 
getting great quality, then you either have low resolution source 
footage, have an old version of iMovie, or have are using some incorrect 
settings. In fact, iMovie even supports HD!!! So I wouldn't spend the 
money for Final Cut solely based on the broadcast quality issue.

Final Cut can make .FLC files, but it is not great at it and the files 
are usually bigger than they should be. For making Flash files, I sometimes use a 
program called Sorensen Squeeze and it works pretty well.

As for ripping footage from a copy protected DVD, you are going to need 
a DEMUXING program. Then you are going to need 
a DVD ripping program like Cinamatize. 
Cinematize is a great tool and we use it all the time. It can rip any DVD that is 
not copy protected. If the DVD is copy protected, then you have to start 
with the aforementioned demuxing application.

The other way is to do it analog style. Just patch cables from the dvd 
player though a professional video deck or TBC (timebase corrector). 
Those will strip off the copy protection in real time.

One word of caution though... we do not advocate using any copy-protected material unless you are legally allowed to do so!!

On the issue of Final Cut Studio vs. Final Cut Express, I would go Final 
Cut Express.  The Final Cut Studio has tons of stuff you will never use 
like heavy-duty motion graphics and pro sound editing. The learning curve 
on those tools is huge.

Anyway,  hope I helped a little.

Kirk

Size Matters! How to create a small Quicktime for pushing across the web

Friday, March 14th, 2008

There are so many codecs for digital movies out there that is becomes really confusing when you are trying to make a small file to place on Youtube, an ftp site or to email to everyone in your address book.  By the way, a codec is the formula used to compress and decompress a digital movie.  For example, you can compress your video clip using H263, H264, Animation, Sorensen, Cinepak, Animated GIF, DV, DV  Stream, MPEG-4, MPEG-2, M4V, FLC, SWF, and on and on.

 

You could literally test and play with settings and parameters for days and you will eventually drive yourself crazy trying to get the perfect file that is small enough to email but vivid and snappy enough to get you the recognition and accolades you deserve.

 

Here’s a fool proof, easy way to do it…

 

Buy Apple’s Quicktime Pro application for  around $40 bucks. Then open your big, uncompressed monster of a movie file, then say “EXPORT” in Quicktime Pro and choose “FOR iPOD.”

 

That’s it. Your file will be tiny and look amazing. Even though you ended up with merely an .M4V file that you could have done that yourself, you would never be able to compete with the genius eggheads at Apple who have spent hundreds of hours in R&D to have the perfect codec settings!

 

This is also a great file to upload to YouTube. Their upload robot LOVES this file. However, if you want to make it absolutely perfect for YouTube, you should create your original big file at 400×300 pixels, because otherwise YouTube will scale your file and cause it to lose some resolution. I understand that 400×300 is a non-standard aspect ration in computer land, but that’s what YouTube is, so you might as well create your original file that size. Be sure to make the file with those dimensions PRIOR to crunching down with the “EXPORT TO iPOD.”

 

-Kirk

WHY DOES MY YOUTUBE VIDEO LOOK LIKE DOG MEAT?

Thursday, February 7th, 2008

Okay, so you spend three months onlining and color correcting your film. It looks stunning and projects like a Technicolor masterpiece.  Excited to show your friends and reach a wider audience, you decide to stick the project or its trailer on Youtube. And of course, it instantly looks like dog meat: blocky, faded, desaturated and worst of all, it actually skips frames and looks out of sync. Dang it! 

 

So you in the Youtube film requirements. But when you upload it again, it still looks barfy.

 

And it will always look barfy because Youtube RECOMPRESSES every single film using very loose setting for Flash video. It needs to make it look cruddy because they need small files that take up small bandwidth since so many people upload shots of their cat looking out the window.

 

Bottom line: If your content ROCKS, then it will be giant on Youtube. If your content is dependent on pristine color correction and the ideal image, then I’m afraid your film is going to look like dog meat and nothing more.

 

Shoot for content and story and the world is your oyster.

 

– kirk