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Posts Tagged ‘DVD’

Editing at the consumer and pro-sumer level

Sunday, June 1st, 2008

Following is an actual email thread from one of our contacts who is mac-based.

Dear Kirk at BetaSPtoDVDcom,

Does final cut pro or final cut studio output to flash format for the web?

I have a client who wants a promo video to do double duty--display on the
web AND to play on DVD at trade shows and such.

But since I have yet to get the software, I thought you may know--maybe even
point me to pro vs. studio--vice versa--or even another video editing
solution.

I'm simply not happy with the image quality of iMovie.  I'm guessing the
slicker programs will produce TV-quality images.

Also, is it possible to grab footage from DVD movies and use them in Final
Cut?  Y'know--grab some war footage from Saving Private Ryan, or something?
Or a full moon shot from a Werewolf movie?

S'all fer now.  Enjoy the rest of the weekend.

Joe

___________

Hi Joe,
First of all, iMovie is TOTALLY broadcast quality. If you are not 
getting great quality, then you either have low resolution source 
footage, have an old version of iMovie, or have are using some incorrect 
settings. In fact, iMovie even supports HD!!! So I wouldn't spend the 
money for Final Cut solely based on the broadcast quality issue.

Final Cut can make .FLC files, but it is not great at it and the files 
are usually bigger than they should be. For making Flash files, I sometimes use a 
program called Sorensen Squeeze and it works pretty well.

As for ripping footage from a copy protected DVD, you are going to need 
a DEMUXING program. Then you are going to need 
a DVD ripping program like Cinamatize. 
Cinematize is a great tool and we use it all the time. It can rip any DVD that is 
not copy protected. If the DVD is copy protected, then you have to start 
with the aforementioned demuxing application.

The other way is to do it analog style. Just patch cables from the dvd 
player though a professional video deck or TBC (timebase corrector). 
Those will strip off the copy protection in real time.

One word of caution though... we do not advocate using any copy-protected material unless you are legally allowed to do so!!

On the issue of Final Cut Studio vs. Final Cut Express, I would go Final 
Cut Express.  The Final Cut Studio has tons of stuff you will never use 
like heavy-duty motion graphics and pro sound editing. The learning curve 
on those tools is huge.

Anyway,  hope I helped a little.

Kirk

Mini-DVDs are so adorable…until you try to play them!!

Monday, March 31st, 2008

I don’t know what it is about the universe, but somehow, we have been getting a lot of questions about Mini-DVDs these days. Perhaps the camcorders that made them have died and there is a desperation to save the material on these discs before their material is lost forever to the dreaded “incompatible format” message.

So what do you do with those little discs and how the hell do you get the material off of them safely?

Alright. It’s not as hard as it seems. There are two ways to do it…and one way to definitely NOT do it.

First of all, if you have a side-loading iMac, do not insert the mini-DVD into the CD slot or your computer (errr… and your life) will be seriously hosed. Instead, you’re going to need an external DVD drive that sits flat on the desk. Also, that drive must have the Mini-DVD imprint cut out in the tray to accommodate the small disc.

Then, stick the disc in the external drive. Once it loads, copy the entire disc to a folder on your computer. Eject the disc.

Next, open your burning software and burn all the contents of the folder to a new disc as a data dvd, not a playable DVD. This will include the VOB files. Burn the disc and you’re all done. Even the menus are copied and the disc will play perfectly on any DVD player if you use DVD-R media.

The second way to transfer the mini-disc to a standard DVD-R is to play the disc in a DVD player or camcorder that accommodates the format. Take the analog wires from the DVD player “Out” connectors and send it to a DVD-R recorder. Make sure to set your source DVD player as “play continuously through chapter stops,” or something that sounds like that. Then hit record on your DVD recorder and the video will copy. The only problem is, the menus won’t copy, but at least the video content will be preserved.

Finally, don’t buy into newfangled technology that is unproven in the marketplace for less than a year and a half. Seriously! People clamored for those adorable little mini DVDs the second they hit the shelves in stores without thinking of the fact that the format is inferior, holds insufficient amounts of video, overly compresses the footage, is next to impossible to playback on any other video or computer machine, and easily scratches and jams.

By the way, those discs are a freaking blast for teenagers to have “frisbee” fights with!

The sexiest video I have ever seen! HDCAM SR!!

Monday, March 17th, 2008

HDCAM SR leaves Pamela Anderson’s sex tape in the dust.

Just like the great format wars, Beta vs. VHS and Blu-Ray vs.  HD DVD, another video format has finally pushed its last pixel. Yes, the popular professional tape format D5 has finally been relegated to the digital wasteland of yore like its brethren, the Jazz Drive, Digital 8, and of course, its dark father, D2.

The giant studios like Universal and Disney have onlined many a show on the robust digital format of D5. But now, the majors have fallen in love with HDCAM SR, sexy young digital powerhouse of a tape format. This baby has 4K of the richest digital picture imaginable, and delivers full 4:4:4 at 440 Mbps. Yeah, this baby knows she’s hot.

Supporting 23.98/24/25/29.97/ 30PsF, 1080/50i/59.94/60i, and 720/59.94P, HDCAM SR was created to meet all common worldwide delivery requirements. It’s support the gamut of HD frame/line rates in both 4:4:4 and 4:2:2 formats using the highly efficient MPEG-4 Studio Profile compression scheme. The format supports 10 bit Log or linear, at 2.7:1 compression ratio in 4:2:2, and 4.2:1 compression ratio for 4:4:4. It can also run 12 channels of audio at 24-bit per sample resolution.  So yeah, this baby is about as sexy as they come.

But nobody said it’s cheap.  In fact, it’s painfully expensive and the studios are going to let years of  television disappear into the past without being archived on the HDCAM SR format because it is cost prohibitive unless the show was a hit.

So if you still have a couple  favorite shows on VHS tapes you recorded back in the day via your rabbit ears (also a relic of the past), you better transfer them to DVD yourself because that’s the best quality you will likely ever see again. But boy, that HDCAM SR is pretty damn sexy.

– Kirk

Defeat Macrovision DVD piracy protection in 3 seconds!

Friday, February 29th, 2008

Macrovision is a piracy protection system that darkens the video image if it is copied from a standard DVD player.

First off, this is NOT a subversive message to coax anyone to break the law. However, there are plenty of times when it is vital to a project to use “copyrighted” material ripped from a commercially sold DVD. Some examples of when this is important are:

1)    You acted or were crew in a particular film and wish to present a clip of your scene in a montage of  your demo reel.

2)    You are making a “rip-o-matic.”  That’s when, as a filmmaker, you create a fictitious preview trailer using clips and footage from a variety of different movies, since your film is not shot yet. This is useful to use as presentation tool to potential investors. Of course you can never broadcast, sell, or otherwise exploit the original material. The rip-o-matic is also useful for creating a living storyboard from which you can plan shots for your own movie in the style of the original.

3)    You want to use footage in a montage at a wedding or other family occasion. For example, you may want to have famous love scenes (Casablanca, etc.) edited together with your own voices dubbed in for a spoof at your wedding reception.

4)    You may want to digitize the footage into your own edit system so you can practice graphics and editing.

There are probably hundreds of other non-commercial uses where you may need to rip a commercial DVD. Of course, I’m not a lawyer and do not advocate breaking any laws whatsoever, but if you really want that footage without the Macrovision (and if it is legal), all ya gotta do is run it through a time-base corrector. Don’t have one? Many professional video decks have built-in TBCs. Just play your DVD and run the signal through a pro deck or TBC and you’re off to the races.

-Kirk